Ibirapuera Park was inaugurated in 1954 to celebrate the 400th anniversary of São Paulo, and today is the best-known park in town with over 14MM visits per year. The park receives approximately 25,000 visitors from Monday to Friday, 75,000 on Saturday and 150,000 on Sunday. Due to its dimension, attractions and number of visitor, it is often comparable by foreigners to Ueno Park in Tokyo, Stanley Park in Vancouver, Hyde Park in London or Central Park in New York City.

The Japanese presence in the area began in 1912. At this time, Japanese immigrants began to take up residence on the street of Count Sarzedas.[2] This street had a steep slope that gave way to a running stream and swamp area. Basement apartments were numerous and inexpensive, and groups of people or families often lived together in the small rooms. However, the central location of the area meant immigrants could also be closer to work. As the number of immigrants in the area grew, so did commercial activity. Soon Japanese-owned inns, emporiums, restaurants, shops, and markets were popping up. These new commercial endeavours also become workplaces, which brought more immigrants to the area, and thus the "street of the Japanese" was formed.

The project, in Gothic style The project, in Gothic style, was Maximiliano Hehl architect and construction started in 1913. The material used was granite, which is touted as one of the reasons for the delay of construction. The size of the church is 112 metres long and 47 wide. The building has stained glass windows and Italian capitals, towers 92 metres high dome and seating for eight thousand people. It is speculated that the cathedral would be ready for the celebrations of the fourth centenary of Sao Paulo in 1954. In fact, it was inaugurated incomplete on that date without the towers. Only it was completed in 1970. The works were played by Alexandre Albuquerque until 1940 and, thereafter, at Anhaia Melo engineer.

The Place of the São Paulo foundation Pátio do Colégio From Wikipedia, the free encyclopedia Jump to navigationJump to search Pátio do Colégio Pateo do Collegio (archaic spelling) PatioColegio.jpg Religion Affiliation Roman Catholic Ecclesiastical or organisational status Built Status Museum Location Location São Paulo, Brazil Geographic coordinates 23°32′53″S 46°37′57″WCoordinates: 23°32′53″S 46°37′57″W Architecture Style Portuguese Colonial Groundbreaking 1554 Pátio do Colégio (in Portuguese School Yard, written in the archaic orthography Pateo do Collegio) is the name given to the historical Jesuit church and school in the city of São Paulo, Brazil. The name is also used to refer to the square in front of the church. The Pátio do Colégio marks the site where the city was founded in 1554.[1] The city of São Paulo has its beginnings in a mission established by Jesuits Manuel da Nóbrega, José de Anchieta and others in the Brazilian hinterland. The village - then called São Paulo dos Campos de Piratininga - was founded on a plateau between two rivers, the Tamanduateí and the Anhangabaú, and was linked to the coastal village of São Vicente by a precarious path in the rainforest. The date that marks the beginning of São Paulo is January 25, 1554, when the priests celebrated the inaugural mass of the Jesuit school. Initially, the church building was a modest hut covered with palm leaves or straw. In 1556, under father Afonso Brás, new buildings of the school and church were finished using taipa de pilão (rammed earth), a more solid technique. These buildings would be the centre of spiritual and educational life in the settlement in the next couple of centuries. Since its beginnings, the Jesuit action in evangelising the Amerinds clashed with the interests of many settlers, who used indigenous slave labour and profited from the indigenous slave trade. In the early São Paulo, the expeditions of the bandeirantes to the hinterland in order to capture Amerinds were an important economic activity, and the conflicts with the Jesuits led to the expulsion of the Order from the village in 1640. Only in 1653, bandeirante Fernão Dias Pais Leme allowed the return of the Jesuit priests. The church and school were extensively rebuilt around 1653. In 1759, with the Suppression of the Society of Jesus in Portugal and its colonies ordered by the Marquis of Pombal, the fathers had to leave again. The Jesuit buildings now housed the colonial governors of São Paulo, and they continued to serve administrative functions after the Independence of Brazil and well into the 20th century. The colonial structures were completely rebuilt in different styles, and in 1896 the church collapsed. The tower survived but was greatly modified. In 1953, during the celebrations of the city's 400th anniversary, the area was given back to the Jesuit order. Thanks to their relative simple architecture and the abundance of 19th-century iconography, the church was rebuilt and the tower and the school façade were given back their colonial look. The church and tower, in particular, have the sober Mannerist style they had in the 17th century, typical of Jesuit churches of colonial Brazil.

Municipal Theatre of São Paulo is a theatre in São Paulo, Brazil. It is regarded as one of the landmarks of the city, significant both for its architectural value as well as for its historical importance, having been the venue for the Week of Modern Art in 1922, which revolutionised the arts in Brazil.

The station was built in the late nineteenth century in order to host the newly created company Sao Paulo Railway, of British origin, as well as to be in São Paulo stop its railway line, which ran from Santos, in the state's coast in Jundiaí, in the interior. In the first decades of the twentieth century, it was the main gateway to the city of São Paulo. His greatest importance, however, was provided economic infrastructure for the country, passed by the coffee to be exported at the port of Santos, as well as there came consumer goods and capital imports that supplied the city (in an under-industrialized phase). The current station was built between 1895 and 1901, instead of the original Light of 1867. Presumably chosen in an English catalogue by local authorities, the metal structure of cast iron that supports it was brought from England, through pre pieces moulded and assembled here - Masonry station, however, is locally sourced. Its design is attributed to Henry Driver English engineer and similar to Flinders Street Station, an existing station in Melbourne, Australia.

The Municipal Market of São Paulo (Portuguese: Mercado Municipal Paulistano, Mercado Municipal de São Paulo) is a large public market in São Paulo, Brazil.[1][2] It was designed by the architect Francisco Ramos de Azevedo and inaugurated on January 25, 1933 as a wholesale and retail post specialising in fruits, vegetables, cereals, meats, spices and other food products. The market is located in the Mercado area, a name that references the market, in the historic centre of São Paulo. It is located near the Tamanduateí River in the old Várzea do Carmo, a floodplain of the river now primarily used as Dom Pedro II Park. The market was formally named the Mercado Municipal São Paulo in 1995.[3] It is commonly known in São Paulo as the Mercadão, or "big market", and a noted meeting point for resident São Paulo and one of the most visited tourist spots in the city.

The famous Alley of street art of São Paulo